Automatic Painting
Peinture automatique
Free energy / Automatic painting (2001–2004). Like the automatic writing dear to the surrealists, this way of painting gives free rein to the imagination before the canvas — raw, full, instinctive, spontaneous — moving away from Chilean subjects towards more universal ones.
Materials: paper, oil, acrylic, plaster.
El Perla
2004 · 80 × 80 cmAcrylic, oil, paper, ink and pastel on canvas
El Nacimiento de la idea
2004 · 80 × 80 cmAcrylic, plaster, paper, ink and pastel on canvas
The piano note
2004 · 80 × 80 cmAcrylic, plaster, ink and pastel on canvas
Private collection — Paris, France
Batman’s El Secreto
2004 · 80 × 80 cmAcrylic, plaster, ink and pastel on wood
Private collection — Paris, France
El volcano discreto
2004 · 80 × 80 cmAcrylic, ink, paper and elements on canvas
Private collection — Saint-Germain-des-Prés, France
The violin
2000 · 92 × 92 cmAcrylic, oil, plaster, ink and paper on cardboard
Great diptych
2001 · 240 × 80 cm · DiptychAcrylic, plaster and oil on wood
Private collection — Montreuil, France
White on white
2003 · 52 × 47 cmAcrylic, oil, ink and pastel on wood
Contact
2007 · 50 × 50 cmAcrylic, oil, ink and pastel on wood
Balanced
2001 · 50 × 70 cmAcrylic, oil, paper, ink and elements on canvas
Moon
2004 · 80 × 80 cmAcrylic, oil and ink on canvas
The island
2004 · 80 × 80 cmAcrylic, oil, ink, plaster and elements on canvas
- 2004
« LA TRACE HABILITÉE »
Médiathèque George Sand, Palaiseau, France
- 2004
Lucho Hernandez — solo show
Espace / Restaurant MAOH, Neuilly-sur-Seine, France
- 2003
« TRIBUTE TO S. ALLENDE » (collective)
Espace KIRON, Paris, France
- 2003
« TRIBUTE TO S. ALLENDE » (collective)
City Hall of the 14th arrondissement, Paris, France
Appearance in the film « I prefer that we remain friends… » by Olivier Nakache, with Gérard Depardieu and Jean-Paul Rouve (France, 2004).
More collections
Explore the other bodies of work spanning capture, matter and movement.
